No Merry Andrew, to stir up the multitude with jests, perhaps hundreds of years old, but still effective, by their appeals to the very broadest sources of mirthful sympathy. “也没有逗得大家哄堂大笑的”快乐的安德鲁“说那些由于笑料选出、虽已流传上百年、仍让人百听不厌的笑话。
He found the master of the puppet-show belabouring the back and ribs of his poor merry andrew. 他发现那木偶戏的班主正在痛打他那可怜的小丑的脊背和肋骨。
The theoretic innovations of this thesis include the advance of the conception of grotesque merry-andrew and the analysis about it's functions and it's aesthetic contributions. 怪诞丑角概念的提出和界定、其功能和美学贡献的分析是本文重要的理论创新。